Depicts the story of a female protagonist who calmly practices scrutiny when faced with a moment when it is necessary in daily life, but for some reason shrinks in front of love.

Depicts the story of a female protagonist who calmly practices scrutiny when faced with a moment when it is necessary in daily life, but for some reason shrinks in front of love.

After their father's death, three brothers and one sister got together to find out how much money they would inherit from their father's two billion won estate.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Demon hunter Jebediah Huntley teams up with an FBI agent to battle a supernatural force in the southern state of Mississippi.

Story about three youthful couples in contemporary Los Angeles.

Roommates Sooyeon and Jinseong live in the same house. Suyeon has a different taste for sex.

Mother disappeared. Son faces the truth that was hidden for thirty years. In 1983, a twisted love story among a woman, a revolutionary, and a fraktsiya unfolds.

Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes. Melissa is good friends with Jordi and he is very happy for Melissa when she is asked to dance in the music video of the famous rapper Brainpower. But because of bad influences, her life becomes a nightmare. Until her real friends decide to get her out of there.